The Body, Between Life and Painting
Where does painting end and life begin? In this series, the body becomes both subject and tool—moving between gesture, memory, and materiality. Each piece starts from an essential human act—sleeping, dressing, speaking—and unfolds into layered performances, objects, and visual traces.
Working alone in the studio, I explored the performative act not as spectacle, but as research. These works were created in absence of an audience, yet always with the viewer in mind—inviting them into a space where time is felt, not seen; where the trace of the body lingers in thread, fabric, and sound.
Rooted in a feminine and autobiographical perspective, this project reflects on tradition, intimacy, and the porous boundary between art and everyday life. Inspired by the work of Helena Almeida, Lourdes Castro, and others, I questioned what it means to paint—not just with brush and pigment, but with presence and action.
A project of embodiment and transformation, still resonating in my practice today.
Fine Arts Degree – Final Project: [Read the Full Text]